These seven books reflect the creative output of seven iconic African American artists. Our list also includes an extra entry with the catalogue for the 2017 blockbuster exhibition ‘Soul of a Nation: Art in the Age of Black Power’ at Tate Modern.
Matthew, or simply “Mat”, Collishaw, is among the group of artists known as the Young British Artists (or YBAs) who studied at Goldsmiths’ College in London in the late 1980s. FRONTRUNNER is pleased to present a dialogue with one of the contemporary art worlds’ first mavericks.
FRONTRUNNER meets Wanda Nanibush, an Anishinaabe curator, artist, author and educator. She is Curator of Indigenous Art at the Art Gallery of Ontario.
AJ Haynes is the lead singer and songwriter for the Louisiana-based band Seratones, whose first album is an infusion of Southern blues rock and punk.
Between symbolism and history, Sanford Biggers’ practice is a mix of elements ranging from marble to fabrics, which reinterpret facts of the past through a contemporary lens in paintings, sculptures, installations, videos, films and performances.
La Biennale di Venezia – the 58th International Art Exhibition – saw thousands toting their trademark canvas goodie bags filled with heavy art catalogues as they wandered across the two main sites at the Giardini and Arsenale. The exhibition, May We Live in Interesting Times, opened on May 11 and will run till November 24, with visual material from artists representing 89 different countries.
Visual artist Hamra Abbas introduces her fluid practice and her latest exhibition, Every Color Is A Shade of Black, at the COMO Museum in Lahore, Pakistan.
Meet Legacy Fatale: a performance project that revisits age-old practices of feminism and mysticism through dance and movement.
Kojey Radical’s art is craftily contagious. The British Ghanian rapper, artist, dancer and director shares his trials and successes with FRONTRUNNER.
In a wide-ranging interview, celebrated artist/filmmaker Catherine Sullivan expounds on reanimating contested “fantasy” spaces on camera, being Mike Kelley’s student, and why a box of Kleenex matters.
We know that women’s bodies are very marketable. There is an innate power in women’s bodies, which has been distorted.
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