What Do Galleries Owe Us?
FRONTRUNNER Editor-In-Chief Shana Beth Mason shares her thoughts on the history, status, and future of the contemporary art gallery’s people.
FRONTRUNNER Editor-In-Chief Shana Beth Mason shares her thoughts on the history, status, and future of the contemporary art gallery’s people.
Game ON. MUSICRUNNER Editor David Pinkerton charts the history of music within the gaming and video game genres.
Rolling Stone’s co-founder has grossly, and incorrectly, exaggerated the dominion of white men in the history of Rock n’ Roll.
MUSICRUNNER Editor David Pinkerton illuminates how live music venues take revenue from musicians, how this trend began, and what to do next.
Editor-In-Chief Shana Beth Mason assesses, and comments on, the recent dismissal of Artforum’s Editor-In-Chief, David Velasco.
FRONTRUNNER Film Editor Csilla Tornallyay explores the body horror genre, its most notable filmmakers, and why the genre itself is under pressure to adapt to a rapidly-changing global audience.
There is an emergent phenomenon, though, starting to appear online: that is, introducing younger people to older music and discovering it on their own terms. I’m talking about YouTube ‘reaction videos.’
I had few expectations for my first visit to a museum outside the borders of a major, international city like New York or London. But, behold: I think I have found, what comes mighty close to, an ideal environment for absorbing visual art.
FRONTRUNNER’s Editor-In-Chief, Shana Beth Mason, bemoans the art world fraudster, along with a surprising confession.
FRONTRUNNER Music Editor David Pinkerton offers his thoughts on the state, and future, of Artificial Intelligence (AI) in the music industry.
FRONTRUNNER introduces Mateo Ravelin: Art Editor, with a new monthly column to inform and engage readers on the goings-on about the contemporary art world.
FRONTRUNNER introduces David Pinkerton: Music Editor, who shares his background in music, and his thoughts on the ever-shifting music industry.
When we enter a museum, we – the audience – become graveyard gawkers.
FRONTRUNNER Film Editor Csilla Tornallyay shares her thoughts, experiences and practical advice in navigating the film industry.
I couldn’t get past the introduction without my mouth pointing downwards and a lump swelling in my throat.
Like everything you’ve likely heard about L.A., everything and everyone seems surreal. As if they existed, but in some parallel dimension witnessed from afar.
Ah, Miami. A swirling, decadent, poser’s paradise: a hurricane of alcohol, VIP passes to who-knows-what, waiting outside a celebrity-sponsored dinner/party praying for an impossible invite.
My first mentor in the art world began simply as a name. A name uttered by one, repeated by many, heard while I was pursuing my Master’s degree in London in the autumn of 2007.
FRONTRUNNER’S Editor-In-Chief Shana Beth Mason shares her thoughts in her weekly column for our readers and spectators.
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