At one point or another within the last ten years, I’ve laughed, cried, gossiped and shared meals with Betty Tompkins (alongside her husband, Bill Mutter)…
A FRONTRUNNER Exclusive: Mexican author, directors and screenwriter Guillermo Arriaga talks about his new novel and how bordeom can inspire masterpieces.
FRONTRUNNER is pleased to present sculptor, filmmaker, and lecturer Kathy Ruttenberg as our Armory Issue 2023 cover feature.
FRONTRUNNER is proud to present a conversation with painter, theorist, educator, and critic Mira Schor.
FRONTRUNNER shares a one-on-one with Scottish actor/musician Hans Matheson on life in the film industry and new frontiers into music-making.
Actor and director Leah Purcell’s debut feature, The Drover’s Wife: Legend of Molly Johnson, reimagines Henry Lawson’s short story about protecting loved ones, without romanticising male gender roles, in 19th-century Western Australia.
I kind of stumbled on the name RESONANCE from its double meaning: sonically it’s a characteristic in music, as well as harkening back to places and emotions felt about something.
There’s a certain satisfaction in discovering an artist by mistake, in a gallery you were never meant to be at, in the first place. Stumbling…
FRONTRUNNER presents our Summer 2020 cover feature: an intense, illuminating discussion with Alastair Mackinven during the COVID-19 lockdown.
Mexican producer Mónica Cortina Mariscal talks about the experience of working with Guillermo Arriaga on his 2019 short film No One Left Behind.
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