Screenwriting: How to Write Tragedy (As Explained with Dog Day Afternoon)
Even if you don’t know what tragedy exactly means, you still probably have a good idea of what it means. It is a narrative structure that is as old as ancient Greece, was most famously and effectively used by Shakespeare, and continues to be deployed as a dramatic device to this very day. The theorist Christopher Booker defines a tragedy as a story that “focuses on a villain protagonist, and the reader sees them delve further into darkness and evil before their ultimate death or destruction at the hands of the hero.” Booker lists five stages in the tragedy narrative, which we will explore today by taking a look at a film that puts s unique spin on this structure, Sidney Lumet’s 1975 masterpiece, Dog Day Afternoon.
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