The Collector’s Bible: Introduction
Dear Readers, Frontrunner bequeaths to you a single volume of knowledge and know-how: the kind that gallerists, auction house specialists, curators, museum directors, public relations…
Author: Shana Beth Mason
SHANA BETH MASON is Editor-In-Chief of FRONTRUNNER Magazine. Her critical work includes contributions for Art in America, FlashArt International, Kunstforum.as (Oslo), The Brooklyn Rail, The Miami Rail, San Francisco Arts Quarterly (SFAQ), thisistomorrow.info (London) and Whitehot Magazine. She divides her time between London and Siena, Italy.
In Pictures: Aziz + Cucher in London
Frieze Week in London is generally designed to do two things: attract celebrities to snap their Instagram photos in front of all manner of artworks…
Shutter Spectacle: A Q&A With Daniel Dorsa
Daniel Dorsa is a Brooklyn-based photographer whose client list includes Artsy, Converse, Red Bull, Rolling Stone, The New York Times, VICE, and Wallp…
Word & Paint Games: An Association Exercise with Ridley Howard
FRONTRUNNER plays word games with Atlanta-based painter Ridley Howard
Hurray for Hollyweird: A Q&A with Hollywood Mural Project Curator Jill C. Weisberg
I thought it was a great opportunity to elevate it: more cultured, richer, more inviting, more surprising. To make it more interesting, because these …
Andrew Brischler: Lonely Planet
..his paintings and color-pencil drawings are raw, undulating, boldly unflinching glimpses into the visual modalities with which we process words and …
Leigh McCarthy: Intensely Sublime
Leigh McCarthy has spun these seemingly alien elements into a critical lens on a very real, very fragile environment: the seas.
I Scream, Therefore I Exist: A Conversation with Antonia Wright
The goal of my work is not to harm myself. I start with the image/idea and work backward through the logistics.
Walking Every Line: A Q&A with Xaviera Simmons
It's been quite a mentally violent "awakening". OVERLAY is actually a poetic answer to the kind of violence we are enduring, especially as that violen…
One Beguiling Belgian: Jean-Baptiste Bernadet
It’s crucial to me that what I offer to the viewer remains as open as it can be, open to interpretation and all sorts of feelings. All of my work is…